Border Hacking: Freedom of Information, or Freedom of Movement
/// it's scary to enter into the flow & watch things unfold in collaboration with many languages ~ to take yourself out of the safe cocoon of what is known ///

Margie filming Nancy in compost levitation garden created during streaming exercise at TPS 2

***streaming debrief***chat with brisbane TPS 2
misha : there is a lot of "is that all there is", especially when presented as a hole in space, video wall. it the theatrical context, it takes on an a language of presentation, not necessarily connection, definitely not anything to do with intimacy.
Russell : it is something now to listen to a discussion about cross-cultural politics - and reflect on the idea of tolerance
misha : yes, of course, but it is a people failure, and not a technical failure
Russell : so we agree there was a certain amount of failure at the beginning of our connection?
misha : yes, because we leave our expectations aside, as start to focus on the space in between
misha : eg. telepathy, or teleportation. but what about feeling in a haptic manner (says, nancy), rather than the primary senses
suzon : typing for james: hard to feel intimacy when you don't know who is watching/listening

****:::movement from the real to the stream:::to the flower ritual operation site:::***
aesthetic of the stream
people lurking around in between of all of that
recording & editing on the run
amorphous chaos
feeding that back in to the situation.
hilarious episodes of failure and chaos
who has a relationship to this - who doesn't?
who thinks it fucked?
who is used to working amongst chaos?
sub-chanelling
direct & indirect actions fed in at different times.
brisbane first appeared i had streaming on the computer brisbane & me = energy wired
build up meaning together but remain autonomous
how to remain true. how to keep afloat. how not to drown?
are you close to it? does that make you upset? can you be involved in it?
a meditation being able to look at the landscape in terms of the framing. found height. but were you lost the space?

a hideous space became a sacred zone /// a garden /// out of time /// to connect with the evanescent to rediscover what the world ought to be like
< }O4¯äèA‡ 9«jò > observations of dynamics in the room - issues of protocol ¯äèA‡ 9«jò >
ÛEΩk£Üó€Ï¯∞[¨MÑ/ some of us leave our expectations aside and focus on the in between . haptic. feeling
is that all there is? going to a space - constant break down in communication // audio//video//
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what is this connection that brings in a theatrical apparatus?
something to focus on or To Be IMMERSED IN.
focus on ways in which you can connect.
don't be locked in to hideous framing -
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when did the streaming start? : margies schematic. i've gotta draw more maps.
~~/// schematics / text ///~~
\\\ how do you find ways to the experiential culture..///
difficult to negotiate these terrains
habitus..transmissions ~:~dropping through from visual presentation: body experiencing a different mode
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get rid of preconceptions of experience
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A forum / judge and jury // over head projector ~~occasion for conversation ?

Broadcasting streaming media is like its ‘etymology’, for instance it causes a ripple in a pond, the initial action ripples out and causes movement in ways that seem more fundamental rather than gimmicks or preaching at each other for immediate results.

Does one see their body in a 'ego centric' centralized manner or as a body in a 'socio-centric', networked sense?