Everywhere you shut me in. Always you assign a place to me. Even outside the frame that I form with you...You set limits even to events that could happen with others...You mark out boundaries, draw lines, surround, enclose. Excising, cutting out. What is your fear? That you might lose your property. What remains is an empty frame. You cling to it, dead.

Luce Irigaray [1992]

last night I dreamt about the Iraqi war but the iraqi's were aborigines the americans were shooting all the aborigine type people they could come across. I went into a fantasy world with a barbie doll into her wardrobe with all her costumes, she had an anti war badge that stood up for the Russians. my old critical theory teacher was there he said to me something about mnemonics and I will be surprised to see if you get out into the media with that story. I thought how he always has these quick intelligent logical comebacks that leave me thinking and when I want to respond it is too late or he is gone or on anther topic. I was then on a big bus waiting to be freed with everyone else then it was like i was in a zone i could not communicate with anyone else although i could see people moving outside and no one was on the bus, then there were people on the bus. Then the bus drove us to this Irish pub and I saw Guinness and Stout on the black board. I was pleased. then we walked inside I was with these women i didn't know they were a bit brash and one was asking me to buy her something and I said its 10 $ she said = well you have that and I said yes that's all I've got and i didn't know how long we would be staying there- could be 1 day 1 week 1 month and I might not have enough to last me, so I went to the counter and was looking at the menu and she wanted popcorn but it was 10$ I was confused as i didn't want to let her down but had to look after my self... I woke up.

Interference<\ they seem to be busy defending boarders instead of building vibrancy
submerged, smothered, choked by the Crown fallacy, the herd theory/ sheep on desert[ed] land? command>/: FREE us from the mainframe sitting in a locked room in some distant city.

<break> <spell> <acknowledge><customs> <habits> <trapping> <our> <perception> <>

2005-04-01 22:16
warning: unknown(files): Permission denied in /var/www/eclectic details return to NOMADOLOGY belief systems/short term effects/stagnant/loops effective/ produce realignments/shake things up... hit a nerve spark a connection

complex systems : surges of new forms pounding entrance & on FLOW.</CHAOS/repeats/ reproduces/grows/decays/unfolds/flows/spins/vibrates/swerves framework> (not loaded)
::: a system what is underneath ::: form = resonance ~Chapter ended Sleep exception!!! java.lang.NullPointerException at sistero.sysx.org (Unknown Source CODE)
at java.lang.Thread.run(Thread.southern hemisphere:552) 147.31667/-42.88333. Error Reporting [17th Century] CFLog (21st): Cannot find executable magic words
sensible to commands 0x0000</System/copyright/PrivateFrameworks/liberty.framework> (not loaded) it is a tough environment around here... all that stuff floating around... constantly changing forms responding sensitively.. interacting with an environment in a kind of interface level.This is what is happening to you. VIBRANT BODIES complex systems embedded in environment ( vitality = system does not have to do all the maintenance).
a few of the nice and simple things like customized short cuts for special characters
Some of the things i got used to, but i also switch back, now and then because i just miss to many things that make my life easier..
/end

proc/interrupted>/I slip back [a bit] in time most of the dance theatre and political cabaret practitioners saw that one's sociality was not a block to performance but the necessary precondition of any communication. This work, which is grounded in political motives of cabaret, is directly linked to Rudolf Laban. Arguably he was one of the greatest reformer's of Western dance in the 20 Century, & did much for our understanding of the complexity and mediacy of the human organism in movement. His bodies projected into virtual worlds where ordinary place, space and time disappeared into dance illusions. In Australia mainstream post-modern dancers & critics rationale coincides with recent attempts to discuss movement being intimately involved with the lives, habits, and daily routines of social living, (collective life) as social groups which look's to everyday events & relationships in people's lives as repositories of larger cultural conditions. However, I believe the parameters of bodily experience and potentiality are shifted, both for performers and for spectators;when the perception of space, time and the body are deliberately disrupted and framed as extra-ordinary. --->

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