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<--- Cross-cultural practice as hybrid performance?--->
<---what kind of question is that

Stop PROJECTing SouRCE CODE on to ME / {source code = blood}

There are so may problems caused by blood in this world.
>>> I choose to dance in the dark - that night especially <<<
\\\ preconceptions of performance - how positional everything is ///
body in a theatrical sense or a body in a network sense
world view...a different world view / a different understanding

[[[ are we going to do this because we know each other and it's safer]]]
<---do you just vote left cause it's in fashion to be a member of Greenpeace --->

 

 

 

The lack of socioeconomic diversity is one of Australian contemporary performance’s blind spots. Most diversity efforts, though, focus on ethnic, racial, and gender minorities, can often mean people with different skin color but largely the same middle-class background and aspirations

a deeper understanding
some performances are done for the benefit of all of the people to maintain the health & wealth of all of the people, not just the artist
---[trying to pay his mortgage by making cross cultural work for the performing arts
market ]---

Why are there panic reactions from some arbiters of taste in Australian 'post-modern dance', when dancers acknowledge that they participate in a "frenzy of the visible"?

un lock conduit of power - shutdown - run level = 0

nodes people can participate in - different entry points access to the information ...///
~~~ spiralic polarization ~~~ wi-fi range ~~~ converge physically ~~~

do you want to add to the channel, an sms bridge? (perhaps)

good historical knowledge can effect how dance is conceived of by dancers.

art is the expression of experience...work can be different... inhabitants of many worlds and can appear in any one they wish.

 

 

 


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