WE ATTEMPT TO STREAM MEDIA________________

people are impressed with the broadcaster on machines - most of them dissapear.
/// it's scary to enter into the flow and watch things unfold in collaboration with many languages / to take yourself out of the safe cacoon of what is known ///Ì“0Æ}Fcmœ∑åQΔ¯⁄®òAMg£t ™+- V¯Ç0(ÅX Xù„Í¡
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***streaming debreif***chat with brisbane
misha : there is a lot of "is that all there is", especially when presented as a hole in space, video wall. it the theatrical context, it takes on an a language of presentation, not necessarily connection, definitely not anything to do with intimacy.
Russell : it is somthing now to listen to a discussion about cross-cultural politics - and reflect on the idea of tollerence
misha : yes, of course, but it is a people failure, and not a technical failure
Russell : so we agree there was a certain amount of failure at the begining of our connection?
misha : yes, because we leave our expectations aside, as start to focus on the space inbetween
misha : eg. telepathy, or teleportation. but what about feeling in a haptic manner (says, nancy), rather than the primary senses
suzon : typing for james: hard to feel intimacy when you don't know who is watching/listening ****:::movement from the real to the stream:::to the flower ritual operation site:::***

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aesthetic of the stream
people lurking around in betweens of all of that
recording & editing on the run
amorphous chaos. feeding that back in to the situation.
hilarious episodes of failure and chaos
who has a relationship to this - who doesn't?
who thinks it fucked?
who is used to working amogst chaos?
sub-chanelling
direct and indirect actions fed in at different times.
brisbane first appeared i had streaming on the computer brisbane and me.../// - energy wired
build up meaning together but remain autonomous
how to remain true. how to keep afloat. how not to drown ///
are you close to it does that make you upset can you be involved in it.
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a meditation being able to look at the landscape in terms of the framing. found height. but were you lost the sp ace?‰É¿@¶
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a hideous space became a sacred zone /// a garden /// out of time /// to connect with the evanescent to rediscover what the world ought to be like, and to project these atmospheres back out into the streaming excercise
< }O4¯äèA‡ 9«jò > observations of dynamics in the room /// issues of protocol ¯äèA‡ 9«jò >
ÛEΩk£Üó€Ï¯∞[¨MÑ/ some of us leave our expectations aside and focus on the in between haptic. feeling
is that all there is? going to a space - constant break down in communication // audio//video//
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what is this connection that brings in a theatrical apparatus?
something to focus on or To Be IMMERSED IN.
focus on ways in which you can connect.
don't be locked in to hideous framing -
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when did the streaming start? : margies scematic.
i've gotta draw more maps.
~~/// scematics / text ///~~
\\\how do you find ways to the experiental culture...///
difficult to negotiate these terrains
habitus..transmissions m~:~dropping through from visual presentation: body experiencing a different mode
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get rid of preconceptions of experience
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A forum / judge and jury // over head projector
occasion for conversation